Camila Salcedo
Raíces: Una Exploración Textil Y Performativa

28.01.19 22.02.19

During her residency in ´ace Camila Salcedo was looking forward holding conversations around migration, birthplace, homeland, citizenship and the law, exile, and questioning colonialism, patriotism and nationalism within the context of Argentina and abroad.


As a diasporic Latin body, as a Venezuelan woman, and as an immigrant to Canada, my artistic practice largely explores various dichotomies, such as: being a Latin in Canada, being a queer body with a Catholic upbringing, and growing up as a woman in a chauvinistic and patriarchal society. I often also explore ideas of migration, displacement, identity, queerness, politics, decolonization and feminism rooted in intersectionality.

As an interdisciplinary artist, these ideas are carried out mostly through performance, video and textiles; and most of my work visually involves vibrant and vivid colours. I am attracted to  performance as a medium because of its ephemeral, spaceless, and time-based aspects; much like migrating, performance requires adaptability, unpredictability and improvisation. Through personas such as Lil’ Arepa, Miss Universe, and Señorita Invierno Tropical, I have enacted various fictional characters which reference my Venezuelan cultural identity in the context of living in Canada. In my most recent explorations, I have been focusing on ideas around deconstruction of monuments around the world and how these actions may be choreographed through dance.

Throughout my time at ´ace, I became interested in questioning my own production in utilising flags as materials for textile works, and I would also like to begin to use maps as a new object for research and object creation. I am interested in creating artworks within the context of Latin America, especially as a young immigrant to Canada from Venezuela who has never returned to my homeland. What does being Latin mean? What are the implications of being a Latin based in North America returning to the Global South? How are art practices influenced by being outside or within our home?

Camila Salcedo
1996 | Caracas, Venezuela
Lives in Canada

2018 | BFA Interdisciplinary, NSCAD University. Canada.

RiAP, Art in the Open, Nocturne, articule, 7a*8d, Anna Leonowens Gallery, Khyber Centre for the Arts, and Connexion Artist-Run-Centre in Canada
La Pocha Nostra, Mexico
GUS, South Africa

2018 | Individual Artist Professional Development Grant, Arts Nova Scotia, Canada
Creative Innovators of Tomorrow Award
Arthur Lismer Award for Academic Excellence
Arquetopia, Oaxaca, Mexico
The Lab Program, Mexico DF, Mexico

Related Activities

´aceNITE, Exhibitions

Intangible Territories
Artists in dialogue


On Wednesday February 20th, our first ´aceNITE of the year took place, opening the exhibitions of guest artists Alicja Habisiak-Matczak, Probable Spaces and Tomasz Matczak Atmospheres, from the Sztuk Pięknych Academy of Art and Design in Lodz (Poland).

At the same time, our artists in residence presented their projects: Camila Salcedo Guevara (Venezuela/Canada) performed her piece Miss Universe/o: Comandanta America, and Micaela Muzi (Córdoba, Argentina) exhibited her installation Controversia límite / desborde, a project that seeks, taking geometry as a metaphor for social regime, to investigate biological, technological and social transversalities that intervene in the construction of subjectivity in individuals.

Guillermo Mena (Córdoba, Argentina), artist awarded a scholarship by Fundación´ace, made a micro-Residency at the end of 2018 working in the transversal space. In this ´aceNITE, Guillermo presented Paisaje redundante e irrecuperable, site-specific mural done with charcoal and the record of “imprints” (rescuing the ephemeral drawing material contained in those walls).


Miss Universe/o
Camila Salcedo


Miss Universe/o: Comandanta America

In this version of Salcedo’s performance character, Miss Universe/o is dressed as a military commander. Her camo uniform is made up of fabric designed by the artist herself, which contains the map of the American continent camouflaged in various shades of pink, green and blue. In the background, there is a rotating slideshow of collages that use the map of the American continent without national borders depicted. In this performance, she starts by taking off a layer of clothing and military-style boots, so as to infer that she is “off duty”. Then, she proceeds to take out from a suitcase which was constructed out of the Venezuelan flag small flags one by one. Each flag corresponds to the twelve countries with the most Venezuelan immigrants of the Bolivarian diaspora, and they’re made from cuts of the original flag that are then weaved together again in crochet style. There’s a vinyl map of the American continent on the floor, and Miss Universe/o places each flag on top of the corresponding country. Every time she lays down a flag, she steps on top of it with her two feet, signifying new roots for Venezuelan migrants through attempting to be grounded. The amount of time she spends standing on each flag/country directly relates to the number of Venezuelans in that country. Later, she lays down on top of all the flags, so as to erase or block the borders by covering them with her body. She finishes the performance by picking up each flag and making a stack of them on top of Venezuela on the map, and lays her military necklace tag on top.

Related artists

Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires


38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)


D Line (Green)
Olleros Station (4 blocks, 4')


Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Artist-in-Residence International Program

2024 Open Call #3
Residencies 2024

July 31st, 2024

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