Together Apart: #Nest
I think of my artistic practice as the visceral impulse to cross the established limits of the photographic medium. It’s a fight against my own photographs: what they represent versus what they should represent. This is how I appropriate other artistic languages in search of recovering something that is no longer. The result is visual pieces in which concepts of memory, public practices and consensus are discussed.
FAUSTINO ABOUT TOGETHER APART: #NEST
As an artist I decided to expand my practice with the contact of colleagues who participated in the meeting. Thus, each instance of NEST served as a trigger to challenge my work and produce accordingly.
I armed myself with tools to escape from an uncomfortable nest and in each encounter I went through unknown territories of my practice, from the intervention of photographs of childhood (from a family album), to the production of collaborative works through foreign languages and ending with a production even playful and experimental in the appropriation of images of participants of the residence.
1993 | Cordoba Argentina
2020 | Degree in Political Science, UNVM
2020 | Degree in Art and Cultural Management UPC
2018 | (In)significancia, momentos cotidianos, Exhibition space, Public Prosecutor’s Office
2018 | Furtivx Garage
2019 | Lo retraté y me dijo, A cultural round
2019 | Muro Cero, Farina Room
2019 | Etching and painting clinic with Sebastián Zapata Hantsch, Mexico
2020 | Together apart: Nest, ´ace Project, Argentina
2020 | Construction clinic with Susana Pérez
Exhibitions, Together Apart
#2 | NEST: results
Artists in dialogue
During 2020, we carried out the first two sessions of Together Apart. The first session took as a conceptual and practical framework the REFUGE and the second, the NEST. Through those starting points, both of which refer to caring atmospheres and structures for coexistence, we were able to think and create in a wide variety of directions and layers. We reflected on our pandemic context, a situation for which we had to find ourselves in the virtual non-space, but also a situation thanks to which people from many different countries were able to work simultaneously. Assuming this complex situation, more than 20 participants per session created new pieces –some in exercise format–, took up projects that they had already worked on in the past or collectively set out to create new projects that will continue to develop beyond the scope of our meetings. This exhibition, virtual as well, reflects what the artists produced during this program.
by Daniela Ruíz Moreno [Curator-in-residency]
Taking these refuge and nest issues also in their complexity, we asked ourselves questions that made each of the participants involve their personal experiences, memory, memories and experiences from each of their territories. We addressed questions that sought to keep us in constant movement; at times we went through very optimistic or pessimistic visions about the possibility or necessity of having a shelter or a nest, and at other times, we were able to articulate more complex visions, enduring in intermediate and liminal states. For both, we took as a theoretical structure of support and dialogue the thought of Félix Guattari presented in The Three Ecologies (1989). His ethical-political approach that highlights the molecular domains of sensitivity, intelligence and desire, as well as his articulation of the three ecological registers (environment, social relations and human subjectivity), helped us to expand our creations and thoughts in relation to shelter and nest.
During the second session –nest– the gaze towards natural structures was also very present. We watched and learned about different types of nests made by birds or protective structures for other animals. We thought of the house and the workshop as nests. The diversity in age and origin of the artists allowed a great richness of reflections on different states in relation to the nest. We spoke of nests from the past, nests that we are building in the present, nests that are no longer nests since they oppress or suffocate and of new nests that we imagine or wish to build in the future. Projects were presented that included the use of organic materials, creations with what was available in the workshop, project of shared files, new photographic views on everyday life, new views on the past and even reflections on language as a generator of identity as well as limiting structure. We went through different sensations in relation to the nests, some presented it as an impossible state to reach, others as a space full of melancholy and others, instead, as structures of freedom where we could explore the becoming of existence. Other works presented the feelings of paranoia that can arise when human nests or states of refuge are threatened and the feelings of discomfort when it feels like losing the intimate conditions of a nest.
Together Apart has functioned as a program that opened up possibilities for meeting and collaborative creation. It has made possible the creation of new rhythms and synchronies for a limited time but whose reverberations and echoes continue to affect in unexpected directions.
- Gabriela Agüero
- Pilar Aparicio Uribe
- Richard Aponte
- Alejandra Basañes
- Carla Beretta
- Marcela Casals
- Renny J. Castillo Umpierre
- Carmen Díaz
- Yessica Díaz
- Vanessa Freitag
- Camilo Gutiérrez
- Helena Kanaan
- Denise Koziura
- Jociele Lampert
- Cecilia Luque
- Carlos Marin
- Faustino Mercadal
- Maite Pinto
- Laura Romero
- Nerina Rosende
- Alejandro Scasso