Artists

Canada

Ariana Pirela Sánchez
The Visible and the Imperceptible

06.02.23 01.03.23

Ariana Pirela Sánchez (Venezuela-Canada) has a degree in Communication with a major in Audiovisual Arts from the Andrés Bello Catholic University in Caracas (Venezuela) and completed professional training in contemporary dance at L’École de danse de Québec (Canada).

During her residency at ´ace, Ariana delved into her work in the fields of video and performance, creating new performative and installation material. Seeking to reconfigure (at least momentarily) her stage practice to move it out of dance and closer to performance, Ariana developed a piece that included the participation of the public, which, once finished, remained in the exhibition space in the form of an installation.

ARTIST STATEMENT

The visible and the imperceptible is a performative installation inspired by the legend of Wale’kerü of the Wayúu people (native culture located in the north of Colombia and Venezuela) for whom weaving, more than a cultural practice, is a way of conceiving and expressing life .

Wale’kerü is the weaving spider who, together with the care of her grandmother, mother and aunts, teaches young Wayúu women the secrets of weaving. Legend has it that when Wale’kerü woke up, he already had girdles and hammocks made, and when the Wayúu asked him how he had done it, the spider began to tell them. Wale’kerü first taught a single Wayúu woman and thus, the textile tradition of this town was born. The female figure in the Wayúu culture is as important and immortal as its fabrics.

Ariana uses this metaphor of feminine transmission of teachings to weave and unweave the threads of memory and thus retwine the forgotten stories. It is about a search in our ways of building (us) in time from the corporality of matter and space. The construction from the knots is used as a symbol of the structuring of memory and history.

BIO
Ariana Pirela Sanchez
1986 | Venezuela
Lives and works in Montreal, Canada

EDUCATION
2009 | Bachelor of Communication Media. Audiovisual Arts Mayor of the Andrés Bello Catholic University in Caracas, Venezuela
2014 | Diplôme d’études collégiales—Professional Dance Studies. L’école de danse de Québec, Canada

EXHIBITIONS
2020 | resonance. Festival de danse servi au volant, Sherbrooke, Canada
2019 | Woman’s hands. Vue Sur La Rélève and Cuisine Ta Ville Festival, Montreal, Canada
2018 | Woman’s hands. Phenomena Festival, Montreal, Canada
2018 | I’m not her. New Blue Dance Festival, Toronto, Canada
2018 | I’m not her. RURART, Cookshire-Eaton, Canada

RESIDENCES
2020 | Réseau Accès Culture, Maison de la Culture Janine-Sutto, Montreal, Canada
2020 | Montreal Council of Arts, Montreal, Canada
2020 | Montreal Arts Interculturels, Montreal, Canada
2018 | RURART (Contemporary Art in Rural Environments), Cookshire-Eaton, Canada
2017 and 2016 | Center Q, Ottawa, Canada

Related Activities

´aceNITE

Stories
Artists in Dialogue

01.03.23

The second aceNITE of the year presented five women artists from different origins (Chile, Canada, Spain, the United States, Venezuela and England) intertwining cultures, identities and memories to tell stories, discover secrets and make visible forgotten circumstances through the projects carried out during their residences at ´ace, in the first slot of 2023.

The territory, its journey and personal experiences are present in the stories of Amy Stoker (USA) and Constanza Reyes (Chile).  Stoker´s visual research constructs a narrative that reflects the struggle of generational unknowing and loss. With the help of a genealogist, the artist acquired records including censuses, land deeds, vintage and modern maps, and photographs to depict the family history that went missing over the years, seeking to build a narrative that reflects ignorance and generational loss.  By other hand, Reyes uses as a starting point a kind of found object: a book bougth during her tours around Buenos Aires that narrates and describes the conquest of Peru. With the intention of appropriating the book, the artist adapts the story with the history of the conquest of Chile, and with contemporary Chilean conflicts, according to her own experience, making a printed intervention on it.

Ariana Pirela Sánchez (Venezuela-Spain-Canada), Elizabeth Castaldo (United States) and Sacha Beeley (England) highlight stories related to the female universe. Beeley, present a short film that explores the harsh life of a Queen Bee within the hive.  The film metaphors with women invites you to think about mothers in all shapes and sizes and the invisible emotional labour they carry out. Elizabeth Castaldo addresses the idea of the divine in the feminine as a creative power and a force of connection with nature through an installation in the Diálogo space, which presents an installation overflowed of shapes and colors.  Finally, Ariana Pirela Sánchez (with a melted culture that comes from her Venezuelan and Spanish origins mixed by years of residence in Canada) uses a legend of the Wayúu culture (as a metaphor to narrate the female transmission of teachings) to weave and unweave the threads of memory. She re-weaved the forgotten stories through a poetic installation made with raw wool, which she built and in where she developed her performance.

We also celebrated Marcela Caballeros´s installation finissage -after three months on display- in the Espacio Transversal.

Exhibitions

The Visible and the Imperceptible
Ariana Pirela Sánchez

01.03.23 01.03.23

During her residency at ´ace, Ariana Pirela Sánchez worked on Lo visible y lo imperceptible (Visible and imperceptible) a performative installation inspired by the legend of Wale’kerü of the Wayúu people (native culture located in northern Colombia and Venezuela). For those for whom weaving more than a cultural practice is a way of conceiving and expressing life.

Wale’kerü is the weaver spider that, together with the care of the grandmother, mother and aunts, teaches the young Wayúu women the secrets of weaving. Legend has it that when Wale’kerü woke up at dawn, she had already made sashes and hammocks, and when the Wayúu asked her how she had done it, the spider began to tell them. Wale’kerü first taught a single Wayúu woman and thus, the textile tradition of this people was born. The female figure in Wayúu culture is as important and immortal as their weavings. Ariana uses this metaphor of female transmission of teachings to weave and unweave the threads of memory and thus reweave the forgotten stories. It is a search in our ways of constructing ourselves in time from the corporeality of matter. Time from the corporeality of matter and space. The construction from the knottings is used as a symbol of the structuring of memory and history.

Related artists


OPENING

1st of March at 7pm in the Sala Políglota

Proyecto´ace
Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires

Buses

38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)

Subway/Metro

D Line (Green)
Olleros Station (4 blocks, 4')

Train

Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Proyecto´ace
Artist-in-Residence International Program

2024 Open Call #2
Residencies 2024

Deadline
April 30th, 2024

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