Artists in Dialogue
The second aceNITE of the year presented five women artists from different origins (Chile, Canada, Spain, the United States, Venezuela and England) intertwining cultures, identities and memories to tell stories, discover secrets and make visible forgotten circumstances through the projects carried out during their residences at ´ace, in the first slot of 2023.
The territory, its journey and personal experiences are present in the stories of Amy Stoker (USA) and Constanza Reyes (Chile). Stoker´s visual research constructs a narrative that reflects the struggle of generational unknowing and loss. With the help of a genealogist, the artist acquired records including censuses, land deeds, vintage and modern maps, and photographs to depict the family history that went missing over the years, seeking to build a narrative that reflects ignorance and generational loss. By other hand, Reyes uses as a starting point a kind of found object: a book bougth during her tours around Buenos Aires that narrates and describes the conquest of Peru. With the intention of appropriating the book, the artist adapts the story with the history of the conquest of Chile, and with contemporary Chilean conflicts, according to her own experience, making a printed intervention on it.
Ariana Pirela Sánchez (Venezuela-Spain-Canada), Elizabeth Castaldo (United States) and Sacha Beeley (England) highlight stories related to the female universe. Beeley, present a short film that explores the harsh life of a Queen Bee within the hive. The film metaphors with women invites you to think about mothers in all shapes and sizes and the invisible emotional labour they carry out. Elizabeth Castaldo addresses the idea of the divine in the feminine as a creative power and a force of connection with nature through an installation in the Diálogo space, which presents an installation overflowed of shapes and colors. Finally, Ariana Pirela Sánchez (with a melted culture that comes from her Venezuelan and Spanish origins mixed by years of residence in Canada) uses a legend of the Wayúu culture (as a metaphor to narrate the female transmission of teachings) to weave and unweave the threads of memory. She re-weaved the forgotten stories through a poetic installation made with raw wool, which she built and in where she developed her performance.
We also celebrated Marcela Caballeros´s installation finissage -after three months on display- in the Espacio Transversal.