Activities

Exhibitions

The Stranger
Marcia de Moraes

04.09.13 14.09.13

During her residency in ‘ace, Brazilian artist Marcia de Moraes constructed a 4 panel polyptych in graphite and color pencil on paper called El Extraño (the Stranger). The final work measured 140cm x 325 cm and was exhibited to the public in the Políglota Gallery. The Stranger, the large scale drawing was intended for that space and therefore, the artist had to work “in- situ” throughout three intense weeks in order to carry it out.

 

ARTIST STATEMENT

I see many possibilities in drawing. I have a great attraction for the trace left by the pencil. The time it takes also appeals to me, and in the way that I work, it is slow. Unlike photography, the image takes a long time to form. Perhaps it is more like the process of painting unless that here you can not pass “above” what you do not like. In drawing, you must constantly deal with “mistakes” , improvisation and the inclusion of these mistakes in the context of  the whole is what drawing is. Until now I still insist on drawing … but sometimes I think that my drawings could work three dimensionally.

Often, I hear that my drawings looks like paintings. I do not care about these divisions of language. For me, people have the freedom to define my work as they please. What matters is the concept involved, rather than how it’s done. I understand there is a certain curiosity in people when they learn that these large drawings are done so carefully and laboriously. However, when this first impression goes, happens what I think is interesting: the moment in which people can discuss what is actually drawing the image and can be interpreted through their personal repertoires.

Talking about the drawing, basically done in black and white, I do it every day. I think many artists draw constantly. I draw every day in the notebooks I carry with me everywhere and others that are scattered throughout the study. But they are somewhere. These are ideas, sketches, written off, not intended to be shown in exhibitions. At the moment, my work has required a large dimension and color to express what I want.

-MARCIA DE MORAES

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Proyecto´ace
Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires

Buses

38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)

Subway/Metro

D Line (Green)
Olleros Station (4 blocks, 4')

Train

Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Proyecto´ace
Artist-in-Residence International Program

2024 Open Call #4
Residencies 2024-2025
Deadline 
October 31st, 2024

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