Group Exhibition


Ljiljana Tašić – curator at Akademija- Center for Visual Researches and Contemporary Printmaking (Academy of Fine Arts in Belgrade)- chaired the panel on “Heterogeneity in Contemporary Printmaking” at the Cervantes Institute in Belgrade. Belgrade encounters´ guest artists -Alicia Candiani and Rafael Trelles- participated as panelists.

Alicia Candiani (´ace, Argentina)  presented “Uncertain Boundaries”. Her lecture focused on how the intense use of printed images in the mainstream of contemporary art has situated printmaking in a significant transverse position, which blurred its traditional limits. This position gave birth to new trends concerning the way of producing and exhibiting prints or using printed images in a wider discourse in accordance to the principles of interchange, connection, heterogeneity and multiplicity which contemporary art practices demand.  At this point, works made by print media go further than the meaning of printmaking, being situated in a ground of “uncertain boundaries”.

Rafael Trelles (Puerto Rico) referred to his international art project  “In Concrete, Urban Graphics”. Beginning in the summer of 2004, Rafael Trelles has created and worked with an experimental technique in urban graphics on the walls, sidewalks, and electricity poles in San Juan and Vieques Island (Puerto Rico), Buenos Aires (Argentina), Havana (Cuba), and Oporto (Portugal).  Within the panel the Puerto Rican artist talked about these urban interventions and he also showed the videos of the his interventions in Havana, Cuba during the last Biennial of Havana.

The Cervantes Institute is a nonprofit organization created by the government of Spain in 1991. Its mission is to promote the teaching of Spanish and the co-official languages ​​of Spain, as well as to help to spread the culture of Spanish speaking countries.

The Cervantes Institute in Belgrade sponsored the Contemporary printmaking panel, among the Belgrade Encounters, at its headquarters in Mihailova Knazin pedestrian street, providing us with a great translator from Spanish to Serbian (and vice versa) which made our work much easier.

Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires


38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)


D Line (Green)
Olleros Station (4 blocks, 4')


Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Artist-in-Residence International Program

2024 Open Call #2
Residencies 2024

April 30th, 2024

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