Activities

Exhibitions

Who was Loderick Jenkins?
Amy Stoker

01.03.23 01.03.23

What is seen presented is the visual research Amy Stoker has been working in her residency at ´ace. She developed a narrative that reflects the struggle of generational unknowing and loss. With the help of a genealogist, she has acquired records including censuses, land deeds, vintage and modern maps, and photographs to depict the family history that went missing over the years.

In the presence of whiteness there is absence. Absence of culture, traditions, identities. People cling to their objects to define themselves. Their material culture speaks to their values. In the American South, Staffordshire pottery or blue transferware represents one of the many collectibles families display that alludes to wealth, status, and ultimately, whiteness. A number of design tests have been displayed to be printed on ceramic plates in an installation that uses the artist’s family history to illustrate the complexities of race and identity in the American South.


¨I try to imagine Lodwick/Loderick/Lodweek/Lodowick Jenkins rising every morning at dawn to tend the land his father, Francis, bequeathed in 1830s Yadkin County, North Carolina. The 158 acres, located off of Peach Bottom Creek, which no longer exists on modern maps, was demarcated by a black oak. The sole marker of the property line is perhaps where Loderick took his lunch to escape the harsh afternoon sun. I try to imagine his features from the photograph of his mother, Susannah Morrison, the only photograph I possess of the family. The U.S. censuses of 1830 and 1860 lists Loderick and members of his household as “mulatto” and “free persons of color”. On others, he is listed as “white”. Perhaps this could account for the fractional percentage of West African DNA that registered on my 23 & Me profile several years ago amidst the growing popularity of DNA testing. ¨   – Amy Stoker-

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OPENING

1st of March at 7pm at the towel.

 

Proyecto´ace
Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires

Buses

38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)

Subway/Metro

D Line (Green)
Olleros Station (4 blocks, 4')

Train

Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Proyecto´ace
Artist-in-Residence International Program

2024 Open Call #2
Residencies 2024

Deadline
April 30th, 2024

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