Artists
Argentina
Matías Homar
Collaborative Residency iea x ´ace
27.10.25 07.11.25
Matías Homar, a musician and composer from Salta, Argentina, develops his work at the intersection of acoustic and electronic music, exploring the relationship between body, technology, and sound. His artistic practice is deeply influenced by his Buddhist outlook and his attention to the present, which manifests itself in processes in which gesture, perception, and listening become engines of creation. Homar combines traditional instruments with interactive devices of his own design—gloves, instruments, and resonant surfaces—to construct sound ecosystems that invite an enactivist experience of music, where the acts of making and perceiving merge in a single moment of consciousness.
Currently based in Alfred, New York, where he is Visiting Assistant Professor of Music-Sound Studio at Alfred University, Matías came to Buenos Aires thanks to an agreement between the Fundación´ace para el Arte Contemporáneo and the Institute of Electronic Arts at that university. As part of his residency, Matías worked at Estudio La Torre, where he deployed his speakers made from laser-cut polyethylene plates sublimated with images that the artist took of stones and lichens. To conclude his residency, he installed these speakers in the Espacio Diálogo of the ´ace studio and performed a sound performance for the audience.
ARTIST STATEMENT
For the past five years, I have been conducting research focused on the creation of interactive devices that amplify the musical experience through movement. This process, sustained by the dialogue between art, science, and technology, seeks to explore chance, interactivity, and the sensitivity of the body as creative engines. My works are transformed with each performer and context, proposing sound experiences that flow like life itself, where the unpredictable becomes an essential part of the artistic result. Over time, my practice has grown towards a more committed view of socio-cultural reality and a deep understanding of the interconnection between human beings, nature, and all forms of life. I conceive of art as a means to cultivate awareness, collaboration, and community, and as a way to reveal our shared responsibility for the environment we inhabit. In this sense, each project is an opportunity to learn, connect, and create from a place of presence and respect for our surroundings and those around us.
BIO
Matías Homar
1984 | Salta Capital, Argentina
Lives and works in Alfred, USA
EDUCATION
2022 | PhD in Musical Composition. University at Buffalo, USA
2010 | Bachelor in Music Composition. Facultad de Artes, Universidad Nacional de La Plata
2009 | Music Professor. Facultad de Artes, Universidad Nacional de La Plata
EXHIBITIONS
2025 | Letter to the World VII. Buffalo Central Terminal/Alfred University, Dance Force, USA
2025 | Harpsihammond. Radio Soma/IV Encontro Latinoamericano de Artes Sonoras, Brazil
2024 | Harpsihammond. Lisboa Incomum, Portugal
RESIDENCIES & AWARDS
2025 | Maine Artist residency. Maine, USA
2024 | Open Futures/Light Moves residency. Limerick, Ireland
2024 | Carle Reinecke International Music Competition Platinum Prize in Chamber Music
2024 | Carle Reinecke Remarkable Creativity Special Prize. MIDI Innovation Awards 2024 Prototype/Hardware winner
OTHERS
Albums
2022 | Ge[r]minaciones (Mati Homar) — 2021 | Arrullos (Imaymana dúo)
Performance
2026 | Enactive Composition: Improvising Futures Through Adaptable Ecosystems. Simposio, Belfast, Ireland
2026 | Improvisación con Lihuen Sirvent seleccionada para Sonorities Festival 2026. Belfast, Ireland
2025 | Also Bonds on Plastic! (rebranded)
Related Activities
Exhibitions, Visiting Artist
Intempo(r)al
Matías Homar
05.11.25
To conclude his residency at ´ace, made possible thanks to an agreement between Fundación´ace and the Institute of Electronic Arts at Alfred University (NY, USA), US-based Argentine artist Matías Homar staged a sound performance in the Espacio Diálogo at the ´ace studio. This sound performance used the speakers that the artist developed at the IEA and brought to Buenos Aires during his residency. The result was a site-specific sound installation of variable dimensions constructed with extruded polystyrene (XPS) insulation boards, sublimated and laser-cut, together with harmonic exciters with electronic amplifiers. In addition, Matías exhibited some printmaking pieces in the Transversal Space of the ´ace studio, integrating his visual imagery with the artist’s sound and installation proposals.
In the artist’s own words: Intempo(r)al is a sound installation that explores the visual as a source of sound. Through impressions on resonant surfaces activated by electronic exciters, the work articulates soundscapes that fluctuate according to the light of the environment, transforming the viewer’s spatial perception. Four of the pieces reproduce, in a loop, processed sounds intertwined with texts by Rodolfo Walsh, while the rest incorporate sound materials from guitar and voice. Distributed at different points in the space, the image-emitters construct a sound and visual fabric that invites the viewer to inhabit listening, memory, and resonance in a suspended time.