Born in Córdoba, Argentina. Cecilia is a engraver and researcher in new tools and methods. She was trained at the Dr. Figueroa Alcorta Superior School of Fine Arts. She is currently in charge of the Chair of Engraving III of the Tecnicatura in said Institution. My production line from 1991 onwards, I always worked and developed a lot with themes related to biology, genetics, nature; that appear in a variety of techniques, formats and spaces according to the search that draws the viewer. From 2013 onwards, I found myself with a deep need: that my production on the ground was contemplative, interactive bell. You can have it with each other, with each other. From this premise, I started to generate platforms for the spectator to be an actor, because he could leave his hello and there he felt part of the work.
“Sea of many” With stitches warm and one, hurt and heal in the ritual of bonding-reuniting with the other, and from the fraternal re-consolidate the warp into an indivisible whole of the social fabric. In this work of aesthetics in white, multiple in senses, typical of the works originated by many, I appeal-I resort to sewing as an act of resistance to division, to individuality, to whoever can save himself. In this Sea, I propose a rescue measure, and that is: “all together”.
“Castaway” How many times are we about to be shipwrecked, in thoughts, in words, in attitudes, in life itself? What do we have or acknowledge having in common with these little cork bodies? Is it the need to stay afloat, as the only possibility to follow the course of our lives? Sometimes with full control of it, and others in need of a little push or a careful hand to protect us? Rescue us.
#FUTURO was the possibility to think about one’s own production and with others, from a very abstract, difficult concept, but at the same time very seductive and hopeful. . Challenging my personal production and group production dynamics. Both concluded with great satisfaction, considering that they are focus in exercises, not thinking this as a final work, importance is the process. Collaborative teamwork always adds and enriches, also in these times we are closed in on our homes and in our individual productions. The different viewpoints of the groups generated from the same concept, working with a variety of aesthetics, techniques, languages and their intersections makes Futuro an enriching and motivating experience.
1966 | Córdoba, Argentina
Lives and works in Córdoba, Argentina
2000 | Postgraduate in Visual Plastic Education, National University of Córdoba
1992 | Teacher of Dibujo y Grabado in the Escuela Superior de Bellas Artes Dr. Figueroa Alcorta, Provincial University of Córdoba, Argentina
2018 | IMPACT 10, Encuentro de Gráfica Contemporánea, Santander, España.
2018 | 2nd South American Biennial of Contemporary Art, Argentina-Brazil-Chile-Peru-Ecuador, Center for Contemporary Art Chateau Carreras, Córdoba, Argentina.
2017 | Náufragos, interactive graphic installation, NODO 940-Cordoba, Argentina.
2016 | Mares para contemplar, grabados, Museo Caraffa, Córdoba, Argentina.
2000 | Graphics workshop at the National University of New Paltz, USA, With the presence of the artist Rimer Cardillo.
2009 | 2nd Prize for the acquisition of the discipline Grabado del XXXI Salón y Premio Ciudad de Córdoba, Museo Genaro Pérez, Córdoba, Argentina.
2009 | Jury’s Mention Xº Salón Nacional de Dibujo y Grabado de Entre Ríos, Woodcut section, Entre Ríos, Argentina.
2009 | Mention “Graphic Experimental Grand Prize 2009 ARCHES”, Maguncia Museum, Buenos Aires, Argentina.