Activities

Exhibitions

Self Portrait/Portrait/Self-referentiality

16.10.19 15.11.19

Self Portrait / Portrait / Self-referentiality
Fundación´ace invited Latin American and Argentine artists and curators through an open call to send short video works under the theme Self Portrait/Portrait/Self-referentiality in order to participate in the exhibition PORTRAITS AND SELF-PORTRAITS that opened on October 16th, 2019 at our house. The curatorship and work selection was carried out by Daniela Ruiz Moreno, and the video pieces were exhibited together with graphic pieces of the 10th edition of the Proyecto Autorretratos –carried out during Alicia Candiani’s, director of ´ace, stay at the Alfred University in New York, USA, in 2018– with the participation of students and professors of the Expanded Media Division of the Art and Design Faculty at Alfred University.

Selected Artists
Agustina Lapenda (Arg) | Autorretrato en 421 segundos
Alejandro Thornton (Arg) | I can see me
Ana Maria Mattioli (Arg) | Las tres heridas
Andrea Gonzalez (Chile) | Algunos modos de decir yo
Andrew Deutsch (EEUU)
Ariel Zajac (Arg) | GIF
Catalina Bunge (Arg/España) | 67 mosquitos
Daira Cañete (Arg) | YO
Gabriel Sasambiarrena (Arg) | Cuerpos orgánicos e inorgánicos
Guillermo Zabaleta (Uruguay) | Compadre
Jose Ulloa Acosta (Chile) | El enamorado lanzador de ladrillos
Juan Pablo Ferlat (Arg) | Máquina Fausto
Juan Urrutia (Venezuela) | Siete cuerpos de identidad
Julieta Tarraubella (Arg) | Devenir
Laura Focarazzo (Arg) | The uninvited
Maria Jose Cisneros (Arg) | Habitario
Mariana Oliveria (Brasil) | Atras da sombra
Paulina Soto Cisternas (Chile) | Mi mamá (la que me tuvo) miente
Silvana Camors (Uruguay) | Espacio
Valerie Driscoll (Irlanda) | Smile

SELECTED ARTISTS
Agustina Lapenda
Alejandro Thornton
Ana Maria Mattioli
Andrea González
Ariel Zajac
Catalina Bunge
Daira cañete
Gabriel Sasambiarrena
Guillermo Zabaleta
Jose Ulloa Acosta
Juan Pablo Ferlat
Juan Urrutia
Julieta Tarraubella
Laura Focarazzo
Maria Jose Cisneros
Mariana Oliveria
Paulina Soto Cisternas
Silvana Camors

INVITED ARTISTS
Andrew Deutsch
Valerie Driscoll

Proyecto´ace
Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires

Buses

38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)

Subway/Metro

D Line (Green)
Olleros Station (4 blocks, 4')

Train

Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Proyecto´ace
Artist-in-Residence International Program

Open Call #1
Residencies 2025
Deadline 
January 31st, 2025

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