Valerie Driscoll
1969. Ireland
Lives and works in London, United Kingdom.

2015, MA in Conceptual photographic art, Central Saint Martins College of Art
2010, Camberwell College of Art, London
‘Domestic Disturbance’ Et Alia Gallery, London, ‘Beyond the End’ Open Gallery, London, ‘Sceal Eile’, Courthouse Gallery, Ireland. 
‘Bodytalk’, The Complex Gallery, Dublin; ‘Studiobook’, Artwork Atelier, Manchester; ‘New Weapons’ Blitz Gallery, Malta; ‘Fluorescent’ Soho Visual Arts Festival, London (2015); ‘Tomorrow Today’, Bargehouse Gallery, London; ‘Miniscule’, Oblong Gallery, London; ‘The Sculpture Show’ V22, London. 

Art Gemini Public Choice Award. Shortlisted for the Deutsche Bank Fine Art Photography Award 
‘Surrealism’ art competition at Barbican Art Centre, London. Supported by the Arts Council of England.

SaLE Docks Art Gallery, Venice (2013); Burren Art College (2012) and The Market Estate Project, London (2010). 

SMBH Magazine, Circa Art Magazine and Darmstadter Tage der Fotografie.

Valerie Driscoll


End to End

24.09.2018 to 19.10.2018

Valerie Driscoll's interdisciplinary art practice incorporates sculpture, video, installation and performance. Often playing with notions of sex, death and the banal, Driscoll’s current work explores the relationship between the human body and the machine. 


During my residency I will explore the relationship between the body and internet ether and will involve dance and movement of the body, playing with and participating in popular culture and online environments. 

This project considers the conceptual overlapping of human body and machine. Playing with notions of the ‘precise’ machine and the ‘messy’ body, this new video work will irreverently question cybernetics and the perceived patriarchy of machines. Working with repetition, provocation and the exemplification of process, this work reflects on the banality of internet engagement. The performer will interact with the internet and using only movement, will mimic what she sees.