Bio
Andrea Avendaño Caneo
1975, Chile
Lives and works in Viña del Mar, Chile

2002 Art education program,  School of Visual Arts, Nueva York

Master in History of Latin American Art, Institute of High Social Studies, Buenos Aires.

EXHIBITIONS
2012 ECA, Contemporary Space for the Arts, Mendoza Argentina
2012 Art Gallery, SFUAD, Santa Fe, USA
2011 Modigliani Gallery, Viña del Mar, Chile
2007 Cultural Center of Viña del Mar, Viña del Mar Chile
2003 402 Gallery, New York
2003 330 Artspace, New York
2002 Walker Gallery, New York
2002 Art Students League, New York

RESIDENCES
2018 R.U.S.A, Residence with Claudia del Río, Rosario, Argentina
2015 ACE Foundation, Buenos Aires, Argentina
2011 Project Caleu is dreaming, directed by the artist Cecilia Vicuña

Andrea Avendaño

RESIDENCIES

Pentagrams of silence

27.08.2019 to 30.08.2019




Andrea is a visual artist and art educator. Graduated from the School of Visual Arts (NY), she explored works on paper (engraving, drawing) from different perspectives, and manifested her social commitment to communities with low representation such as migrant children in New York City. In Buenos Aires, she pursued a Master in Art History degree and, thanks to the accompaniment of the anthropologist Guillermo Wilde, her thesis on how the Copy (drawing) can be a mechanism of cultural resistance in a marginalized school in South America. Since then, she advocates for the right that children have to live their own culture within schools, an issue she has developed with the Mapuche people in the South of Chile. This work is based on a hypothesis that the artist affirms, which is that images can be the means to reactivate an oral culture, prioritizing the production of them over the exercises of reading and writing within the schools.

About her project Pentagrams of Silence

"My drawings have always been a form of communication that is determined by another logic, they go through poetry, letters, maps, but above all, they encircle and enter the void, in those invisible places that nobody wants to rescue. The fact is that the line acknowledges our spaces of life."
Andrea Avendaño

The Pentagrams of Silence, are originally born from drawing and musical writing. I dedicated myself to thinking about the written fixation of the rhythms, of the maps in dance, in the drawings in the air. Of all that, there were turns, sounds and movements that left no trace and that were the most powerful memories. This is how I get to create Pentagrams of Silence, they narrate gestures that haven’t left a trace. This time at Fundación´ace, I have returned to engraving, but engraving without ink and I honor the paper. The paper is the support of a union: the un-pronounced word and its sound, just as in poetry the silences are an elementary part of the rhythm. Because the sounds respond to another logic, not that of the word, but to an invisible force. For example, the strength of my voice comes from the small amphitheaters that I carry in me, which are all my organs, to transform into words that, through my breath, fly infinitely. These pentagrams talk about that, but also announce all those words that were not said. This is why these matrixes play a sort of tanning on the paper. These pentagrams rattle distant loves, those that communicate without the need for translation. There are no analogues here, each space is free and unique. These pentagrams are free writing, and that is why they amplify the visual sense ... that is perhaps one of their best values, because that is where life speaks differently and the words are silent...